Hmm...maybe that is true. I really wish some folks would come out with some really secure and vibration isolated yet removable camera mounts for airplanes.drdehave wrote:I can always trace my jello back to vibration--either the camera/arm set-up used for attachment, or higher-frequency vibrations of the airplane itself, or propeller. In particular, throttle pull-back harmonics of the prop always creates jello (i.e., video wobble). And with the DUC prop I use, I get a lot of harmonics when I am throttling-back and descending, especially when over 5,000 MSL in cross or following winds. I plan for these situations and try to avoid them; and I know (and rely more on) those cameras it will have the least effect on.
Here's a twist: a video FOR Rich
Moderator: drseti
Re: Here's a twist: a video FOR Rich
Andy Walker
Athens, GA
Sport Pilot ASEL, LSRI
2007 Flight Design CTSW E-LSA
Athens, GA
Sport Pilot ASEL, LSRI
2007 Flight Design CTSW E-LSA
Re: Here's a twist: a video FOR Rich
To minimize such jello, I try to use indirect, "soft" methods, such as shown in picture #2 (goes in the depression on my dash) or picture #1 (sits on the carpeted rear deck, just behind me).
Using some from of "dampening" material placed on hard mounts may thus work, too, but I haven't gone there yet. However, I am quite certain that high-frequency airplane vibrations--that you might not expect to affect the GoPros--do, in fact, dramatically affect them and result in a 'jello' response from the camera.
Rich